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In 2025, music journalists are flooded with daily pitches. Some are sleek, some are chaotic—and many are ignored. Not because the artist isn’t talented, but because the story isn’t there. If you’re trying to land coverage for a musician, album, or tour, you have to speak the language of media. And that means delivering more than a press release and a SoundCloud link.
Here’s what journalists are really looking for in artist pitches—and how to deliver it clearly, quickly, and with the right tone.
“New music from emerging artist” isn’t a story—it’s a status update. Instead, pitch an angle. For example:
The story sells the music, not the other way around.
Whether it’s for print, a thumbnail, or social repurposing, journalists care about:
Think editorial, not just promotional.
Journalists want to cover stories on the rise—not just requests. Include:
No need to inflate—just offer real context.
Make it easy for journalists to write the headline:
Inject voice into the pitch—don’t rely solely on facts.
Link to:
Bonus: let them know if the artist is open to interviews, performances, or BTS content.
Don’t send the same pitch to Rolling Stone and a niche blog. Tailor the angle:
Music journalism is still thriving—but only for pitches that respect the craft. Know the writer, craft a story, deliver assets cleanly, and lead with humanity.
Because in a sea of talent, the artists who get covered aren’t just loud. They’re clear.